Siglo Latinx Scholarship

BOOK

(In progress) Cowling, Erin and Glenda Y. Nieto-Cuebas. Siglo Latinx: Rewriting Early Modern Hispanic Texts for Diverse Audiences. 

PUBLICATIONS

(Accepted for publication) Cowling, Erin and Glenda Y. Nieto-Cuebas. Review: Fuente Ovejuna, by Lope de Vega, directed by Mariano de Paco Serrano, Teatro Círculo, October 7-23, 2022. Latin American Theatre Review.

Nieto-Cuebas, Glenda Y. and Erin Alice Cowling, with Octavio Solis. "The Making of the Shiny Knight of Chicanos, Part One: A Conversation with Octavio Solis," HowlRound, April 10, 2023.

Nieto-Cuebas, Glenda Y. and Erin Alice Cowling, with Octavio Solis. "The Making of the Shiny Knight of Chicanos, Part Two: A Conversation with Octavio Solis," HowlRound, April 10, 2023.

"Siglo Latinx," Latinx Shakespeares, December 2022.

Cowling, Erin Alice and Ana K. Rodas Garza. “Academics in Practice: Moving Beyond Appreciation.” Comedia Performance Special Issue: Recasting the Comedia, 19.1, 2022, 70-84. 

Cowling, Erin Alice. “Confinement, Covid, and the Comedia in Mexico City.” Romance Quarterly, 69.2 2022, pp. 93-102. 

Cowling, Erin Alice. “A Social Justice Framing of the Comedia: EFE TRES Teatro’s El prínicipe ynocente Adaptation.” Social Justice in Spanish Golden Age Theatre, Eds. Erin Alice Cowling, Tania de Miguel Magro, Glenda Y. Nieto Cuebas, and Mina García, U of Toronto P, 2021, 119-36.

Cowling, Erin and Glenda Y. Nieto-Cuebas. "Entrevista a Novohispunk Teatro: Desde la distancia social hasta tu propio balcón." Latin American Theatre Review, 55.1, 2021, p. 155-168. Project MUSE.

Cowling, Erin Alice and Glenda Y. Nieto-Cuebas. "Entrevista con EFE TRES Teatro: El Merolico confinado." Comedia Performance, 18.1, 2021, 114-29. 

Cowling, Erin Alice. “Representing the Unrepresentable: A One-Man Retelling of Cervantes’s Entremeses.” eHumanista/Cervantes, 8, 2020, 132-44. 

Nieto-Cuebas, Glenda Y.  "Conversación con Fernando Villa y Allan Flores: EFE TRES Teatro." Anagnórisis: Revista de Investigación Teatral. 20 (Dec. 2019) 471-483.

CONFERENCE PRESENTATIONS

Cowling, Erin. “Decolonizing the Comedia: From the Margins to Center Stage,” Association for Hispanic Classical Theater, Almagro, Spain July 4-7, 2022.

Nieto-Cuebas, Glenda Y.  "Recontextualizing Don Quixote: Immigration, Immersion, and Intertextuality," Association for Hispanic Classical Theater, Almagro, Spain July 4-7, 2022.

Cowling, Erin. “Siglo Latinx: Minimalist Adaptations for Maximalist Effects,” Renaissance Society of America, Dublin, March 30-April 2, 2022.

Nieto-Cuebas, Glenda Y. "Siglo Latinx: Early Modern Spanish Theatre and Social Media," Renaissance Society of America, Dublin, March 30-April 2, 2022. (Cancelled due to COVID restrictions)

Cowling, Erin. “Confinement in the Comedia/Confinement and the Comedia” with Ana Karen Rodas Garza (MacEwan student) and Fernando Villa Proal (EFE TRES Teatro), Association for Hispanic Classical Theater, Online, July 5-9, 2021.

Cowling, Erin. “Confinement, Covid, and the Comedia in Mexico City.” The Comedia under Siege, Renaissance Society of America Annual Meeting, Online, April 13-15 & 20-22, 2021.

Cowling, Erin. “Representing the Unrepresentable: Justice, Metatheatricality, and the Baroque in Cervantes’s Entremeses.” VI Jornadas de Teatro del Siglo de Oro Español y Novohispano Dramaturgia y Teatralidad: La justicia en el teatro áureo. Online, October 7-9, 2020.

Image credit: Israel Franco Muller. Scenography of Fuente Ovejuna by Teatro Círculo (2022). Used with permission of Israel Franco Muller.